Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from illustrators of manuscripts and albums to active mediators of imperial visionary experience, cultivating their patrons’ earthly and spiritual authority. Featuring over 80 color illustrations, The Brush of Insight traces this shift, demonstrating how royal artists created a new v...(展开全部)

Culture of Encounters documents the fascinating exchange between the Persian-speaking Islamic elite of the Mughal Empire and traditional Sanskrit scholars, which engendered a dynamic idea of Mughal rule essential to the empire's survival. This history begins with the invitation of Brahman and Jain intellectuals to King Akbar's court in the 1560s, then details the numerous Mugha...(展开全部)

Culture of Encounters documents the fascinating exchange between the Persian-speaking Islamic elite of the Mughal Empire and traditional Sanskrit scholars, which engendered a dynamic idea of Mughal rule essential to the empire's survival. This history begins with the invitation of Brahman and Jain intellectuals to King Akbar's court in the 1560s, then details the numerous Mugha...(展开全部)

Culture of Encounters documents the fascinating exchange between the Persian-speaking Islamic elite of the Mughal Empire and traditional Sanskrit scholars, which engendered a dynamic idea of Mughal rule essential to the empire's survival. This history begins with the invitation of Brahman and Jain intellectuals to King Akbar's court in the 1560s, then details the numerous Mugha...(展开全部)

Culture of Encounters documents the fascinating exchange between the Persian-speaking Islamic elite of the Mughal Empire and traditional Sanskrit scholars, which engendered a dynamic idea of Mughal rule essential to the empire's survival. This history begins with the invitation of Brahman and Jain intellectuals to King Akbar's court in the 1560s, then details the numerous Mugha...(展开全部)

著者简介 角谷美智子(Michiko Kakutani，1955-) 英文世界最具影响力的文学评论家，普利策评论奖得主，《纽约时报》前首席书评人。 1955年出生于美国康涅狄格州，父亲是著名数学家角谷静夫。1976年，角谷毕业于耶鲁大学，1979年进入《纽约时报》任文化记者，1983年开始为该报撰写评论，直至2017年退休，她始终恪守着“三不一没有”（不出书、不推荐、不收钱、没有朋党）（《中华读书报》语）的专业清规。 译者简介 小二 本名汤伟，上海作家协会会员。毕业于清华大学，获美国弗吉尼亚理工大学博士学位。业余从事文学翻译，译有《当我们谈论爱情时我们在谈论什么》《雷蒙德·卡佛短篇小说自选集》《故事的终结》《石泉城》《面包匠的狂欢节》等。

Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Ma...(展开全部)

乔治・瓦萨里（Giolgi Vasarl，1511一1574），意大利作家、画家和建筑师。瓦萨里生于阿雷佐。自幼学习艺术，后赴佛罗伦萨，在安德烈亚・德尔・萨尔托的作坊里干活，受到梅迪奇家族的保护。瓦萨里遗世的主要绘画作品，是佛罗伦萨老宫和罗马梵蒂冈宫内的壁画。作为建筑师，瓦萨里是同时代伟大的米开朗琪罗的追随者。他设计的重要建筑有佛罗伦萨乌菲齐宫（现为博物馆）、比萨和阿雷佐的若干宫殿和教堂。但是，他对艺术史的主要贡献是他的意大利文艺复兴时期重要艺术家的传记。

乔治・瓦萨里（Giolgi Vasarl，1511一1574），意大利作家、画家和建筑师。瓦萨里生于阿雷佐。自幼学习艺术，后赴佛罗伦萨，在安德烈亚・德尔・萨尔托的作坊里干活，受到梅迪奇家族的保护。瓦萨里遗世的主要绘画作品，是佛罗伦萨老宫和罗马梵蒂冈宫内的壁画。作为建筑师，瓦萨里是同时代伟大的米开朗琪罗的追随者。他设计的重要建筑有佛罗伦萨乌菲齐宫（现为博物馆）、比萨和阿雷佐的若干宫殿和教堂。但是，他对艺术史的主要贡献是他的意大利文艺复兴时期重要艺术家的传记。

Packed with facts, attributions, and entertaining anecdotes about his contemporaries, Vasari's collection of biographical accounts also presents a highly influential theory of the development of Renaissance art. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Ma...(展开全部)